Showing posts with label Lily Loveless. Show all posts
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Lily Loveless in SKET
SKET is the name of Lily Loveless next film, she plays the role of a awkward and uncomfortable girl named Hannah.You can watch bellow an interview with Lily.The premiere of the film will be October 28.
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Lily Loveless as a guest star in Bedlam
Lily Loveless is the guest star of BEDLAM - SkyLivingHD in Monday at 10pm. Check the
trailer of this episode bellow.
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trailer of this episode bellow.
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PIcs added - Kaya, Lily and Meg on vacations
Kaya was in vacations with Meg and Lily ... and here is the result! :) how we miss all the girls!
About Kaya... well, she said some things in twitter about Skins US some days ago... it happens that now the tweets were removed... but you can read the story just bellow.
SOurce
Thanks to our friend Milenka :)
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About Kaya... well, she said some things in twitter about Skins US some days ago... it happens that now the tweets were removed... but you can read the story just bellow.
"Kaya Scodelario has revealed that she is unimpressed with the American remake of Skins.
Writing on her Twitter page, the actress explained that she had watched the show while on holiday in Jamaica.
"We watched the American Skins," she said. "Na mate! Brits did it better."
Scodelario, who admitted that she "quite liked" the US remake of Shameless, also retweeted comments expressing surprise that Skins has been so controversial in the US.
According to Perez Hilton, Scodelario also complained that the swearing in the show had been bleeped out and added that she is unimpressed that her character Effy is now blonde.
That message has now been removed from her Twitter page, but Scodelario later wrote: "Glad Perez Hilton is on the same page as me on the whole Skins USA censorship thing."
SOurce
Thanks to our friend Milenka :)
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Lily Loveless in Combat Kids - last episode
Here is Lily in the CBBC show 'Combat Kids'. This is the las t episode of this series.
You can check all the episodes (3) in this youtube account Canon90
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You can check all the episodes (3) in this youtube account Canon90
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Lily loveless in Combat Kids
Already missing Lily? Here is our lovely loveless with a much longer hair in the BBC show Combat Kids, Episode 1/3.
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Lily in Thorne: Sleepyhead
You can finally see Lily Loveless in Thorne: Sleepyhead. She is in the scene just for a few seconds. Check bellow...
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Lily Loveless - Carbonmade Scans
Thanks to LilyandKatfans we have some new stuff about Lily Loveless. You can take a look to some scans from CarbonMade, an online portfolio.
Here is the interview that you can find there!
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Here is the interview that you can find there!
"The Teen drama, and BAFTA awards winning series. Skins, has become a worldwide phenomenon. Premiering in the UK in 2007, the controversial program focuses on a group of sixth form teenagers growing up in Bristol and exploring issues such as sexuality, teenage pregnancy, substance abuse and family problems.
Most of the actors in the program were unknown before the series began but it has launched the careers of several talented teenagers, including Lily Loveless. Lily, who made her acting debut in the third series of Skins, playing the sexuality confused, outspoken political activist, Naomi Campbell, sat down with us to talk about what it was like being a part of Skins, and suddenly becoming a celebrity
I: Tell us a little bit about your character, Naomi.
L: Naomi is an independent young woman who thinks she knows exactly who she is. She´s one of those people who thinks the world doesn´t really match up to her standards. She gets pursued by the character of Emily (played by Kathryn Prescott), who has a big crush on her and Naomi has never thought that she´s gay so she has to question herself and who she is. It´s something she thought she would never have to do because she thought she knew exactly who she was and where she was going, so her vulnerable side comes out, and her way of dealing with it is pushing people away. She´s quite closed, she has a wall around her.
I: Are you anything like your character Naomi in any way?
L: I think I am a bit. I mean I have to be, to have got the part. But I think I´m a lot nicer then she is. I think it would take a lot of effort to befriend her, and get to know her. Whereas I am much more easy going and I don´t have as high standards about everything and everyone.
I: As Skins is aimed at teenagers and older teenagers, how well do you think it reflects everyday teen life?
L: It´s written by young writers, who are writing about their own experiences a lot of the time but of course it has to be heightened for the sake of entertainment, otherwise watching it would be boring. So I wouldn´t say it reflects teenage life, but I´d say parts of it are definitely relatable, more so than a lot of other programs.
I: Your character is faced with a big sexuality dilemma. What was your initial reaction and how did you feel about having to play a lesbian?
L: It´s weird kissing anyone on-screen. It anything, it was better doing it with a girl because are more similar and you´re more squeamish and embarrassed about it. Whereas if you do it with a boy their really up for it and they don´t care. I had to kiss Jack who plays Cook, and he´s like my brother, so that was just as weird as kissing Kat. It´s just kissing anyone on-screen that you´re not attracted to and that you´re not with is a weird thing to do whether they are a boy o a girl.
I: So from Skins, who have you stayed friends with for life and who do you still talk to outside of filming?
L: I still talk to everyone. It´s quite hard to see people who don´t live in London. So I mainly see the people who are still in London, like the twins (Megan and Kathryn Prescott). I see them probably more than anyone else. I see Merv who plays Thomas quite a bit. But it´s quite difficult to see people like Jack (O´Connell) or Luke (Pasqualino). Luke is away in America right now, so I haven´t seen him in ages.
I: So as a cast, do you all get along, or is there any rivalry going on between the girls?
L: No. Amazing all the girls really get along. No one has any bitchy problems or anything, and you´d expect there to be wouldn´t you? That´s what I thought was going to happen, but it´s not like that at all. I think was more just thrown in at the deep end and we just had to get on. I mean we argue, but it´s like when you argue with your sister, you´re going to talk to them again two minutes later.
I: It must have been quite awkward when you started Skins because of the old cast like Kaya who have been there for longer. Was it intimidating?
L: Really! Because I used to watch the first series, and I really liked it, and I never thought there would be a new cast. So it was intimidating because we had to live up to them and so many people were going to watch it and be like “Why did they get rid of the old cast?”
I: Is there any element of the most recent series that you can relate to from any of the characters?
L: In Katie´s storyline, which is a really good storyline about her parents losing the house and they might break-up or they might not break-up. I think a lot of people can relate to that, when you hear your parents arguing and you wonder if they´re going to break-up or not. Just home life troubles with your parents and money; I though it was very relatable for me and a lot people.
I: Do you ever get noticed in the street or people stopping and asking for your autograph?
L: Yeah, it´s quite annoying actually – no I´m joking! Most people just shout at you from across the street, they just shout “Skins!” at you, and it´s like “No shit Sherlock”. I try not to get noticed because if you´re in a quiet restaurant and they say “You´re that girl from Skins!” everyone will turn around. So it can be annoying but it can be really nice. Some people will say they can really relate to my storyline and I’ve had some people say I´ve helped them come out as gay to their family. So on that side; it makes it all worth it.
I: Now Skins is coming to an end, how do you feel about not being on T.V. and the cast moving on?
L: Well we always knew it was going to happen because of the first cast so we were ready for it. It´s sad but we finished in November so I think back on it and I really enjoyed it but it is good that were moving because if they kept us on, I´d be too scared to leave.
I: So what do you have planned for the future? Is there anything you would like to audition for and is there a perfect role for you now that you´ve done Skins?
L: I´d like to do theatre because it´s like opposite of Skins. I think a lot of people in the industry are quite snobby towards Skins having not watched it and assuming it´s all about sex and drugs. I´d like to do any good drama and have a role that you really care about whether it´s a film or T.V.
I: Are you looking forward to summer?
L: I can´t wait. I need to go on holiday though I can´t plan anything though because if something comes up, it comes up suddenly and you have to cancel everything and do it."
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The Fades - starring Lily Loveless
Didnt know about this so here it comes. Besides 7 Pm it seems that Lily is envolved also in another production "The Fades".
According to screenterrier "filming has just wrapped on THE FADES, a 60-minute ghost story pilot written by Skins scribe Jack Thorne for BBC3. " She will play "Anna"
Also found this about "The Fades".
"Lily Loveless (Naomi) will appear in THE FADES, a 60-minute pilot written by Skins scribe Jack Thorne for the BBC. Billed as “a cross between Skins and The Inbetweeners, the show takes place in a “school for the supernatural.” It’s also the name of a band, which is really fucking confusing."
Besides this production, in Lily´s agency website it´s written that Lily will also play a character in the movie "SLEEPYHEAD".
When we find something more about all of this we will post in the website.
So more of Loveless to come!!!
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More about SEVEN PM - Lily
I´m pretty sure you want to know more about this new project of Lily and AfterEllen can help you in that. They posted some more informations about this movie and more stills where you can see our lovely Lily.
Read Bellow
When filmmaker Anetta Jones cast Lily Loveless in her short film, SEVEN PM, she knew she'd found the actress who could bring heartbreaking nuance to her main character: the lonely, debauched socialite Fox. What Anetta Jones didn't know is that Lily Loveless was also bringing her own built-in fanbase with her.
Lesbians are nothing if not loyal to the actresses who play their favorite characters, and Skins' Naomi Campbell is our all-time favorite. So when photos from Loveless' performance in SEVEN PM surfaced online last week, there was a simulations cacophony of cheers and wailing — "Yay! More Lily Loveless to love!" and "Oh, but why is she so sad? Who did this to her?"
Here's your answer: Anetta Jones did it to her! But Lily asked for it!
24 actresses auditioned for SEVEN PM before Jones tapped Loveless for to play Fox, a young Londoner who lives a "hedonistic yet monotonous blur of self-destruction and escapism, [whose] daily fix of hope keeps her going."
Here's how Jones describes SEVEN PM:
Fox awakes each day to face the same scene of self destruction. Events of the night before a blur, she could have been or done anything or anyone. She goes through the motions of the day business as usual; rushing in a desperate bid to make her daily 7pm appointment. But how is this moment meaningful? SEVEN PM tells the poignant story of a girl trapped in the debauchery of her own habits, seeking significance from her insignificant routine ... [It is] a fleeting glimpse in to a day in the life of a lost girl.
I caught up with Anetta — who is traveling the world after her film's strong showing at London's East End Film Festival — to chat with her her about SEVEN PM, Lily Loveless, and her future feminist film-making aspirations.
AfterEllen.com: Can you talk a little bit about the casting process and why you chose Lily for the of Fox. There were 24 actress up for the role. How did you narrow it down?
Anettea Jones: The casting process was incredibly important for me as Fox is essentially SEVEN PM — as the film is about her life. She is a very complex character; I wanted her to seem at once both bolshy and weak. In the auditions, I was looking for the full emotional range of Fox's personality — bravado, vulnerability, defensiveness, bitchiness but at the same time someone who the audience could like, empathise with and be on her side.
This is quite a delicate balance to strike! Also there is very little dialogue in the short and so it was very important that the actress could display these emotions in her body language and facial expressions alone. Many of the girls whom I auditioned were very talented and I was impressed during the casting how many of them expressed that they felt a connection with the character
I had narrowed the actresses down to a top three but I was still unconvinced that I had found my Fox. That's when I received a personal email from Lily herself who had read the script that I had sent to her agent. She was very keen in playing the character and so I called her in for a reading and she was absolutely perfect. I was unbelievably impressed and absolutely delighted — and so Lily became my Fox.
AE: Were you familiar with Skins at the time? You filmed between series three and four of Skins, when the whole Naomily thing was ramping up to global domination; were you aware of it?
AJ: I had of course heard of Skins before casting Lily; however, I hadn’t seen beyond the second series and so I didn’t know Lily’s acting yet. So before Lily came in I watched a few episodes and I saw her unique way of really connecting with the audience and how she is able to strike the balance between outspoken and vulnerable. I had no idea, however, when we shot the film that her popularity would soar to such an extent with the Naomily phenomenon. I am unsurprised, though, and she deserves it because she is a powerful young actress.
AE: Skins co-creator Jamie Brittain and I spoke not long ago about The Lily Loveless Tear Effect. We agreed that she is so soulful on screen that when she cries, everyone watching turns into a blubbering mess. Judging from the stills and what you've told me about the film, Lily looks pretty wrecked in Seven PM — so I can only assume you meant to break the hearts of every lesbian in the world world? True or false? And if true: Why, Anetta? Why?!
AJ: Ha ha ha! It is all Lily’s fault! She is too convincing! She inflicted her mystical Tear Effect on me too! I remember when we were filming one scene where Fox is crying on the side of the road and we had to keep re-shooting it because we were getting too much noise pollution. Despite the emotional intensity the scene required, Lily required very little direction and was able to seamlessly repeat the scene despite how exhausting it must have been for her. And whenever I shouted "CUT" I would always rush over to her and worriedly ask her if she was ok because she was acting so convincingly cut up and upset.
It really impacted on the whole crew who began talking in very gentle tones to each other and looking quite down! But Lily’s fans can rest assured that most of this scene was edited out to keep the short film punchy. And also no matter how much the makeup artist smudged Lily's eyeliner or hairsprayed her hair into a matted mess, Lily always somehow managed to look like a beautiful wreck! She makes a hot mess!
AE: You came up with the concept for SEVEN PM by watching the interaction between two strangers on a street in London. Are you always inventing stories for people you see on the street?
AJ: Yes, I am quite strange — or perhaps bored? — like that. One of my favourites was when I saw a girl about the age of fourteen sitting alone on a beach in the south of Italy and she was looking wistfully — or so I thought — at the ocean, just drawing things in the sand. I noticed another woman sitting further along the beach who kept watching her although the girl didn’t notice. In my head the woman was longing to tell the girl that she was her mother and that she had been following her for the last two years and had always been in the background of the girl’s life unnoticed. But she never had the guts to speak to the girl because the girl had always thought her mother is dead. Kinda dark I guess. I have an overactive but apparently somewhat grim imagination!
AE: What's next for you, film-wise?
AJ: I have co-written a short animation film with Maria Lazanitou my Assistant Director on SEVEN PM. It is called Wonderland and she is the producer and director. It’s a very creative story about a girl who goes to Tokyo to find out the truth about her brother’s death. Whilst there she discovers the world of Japanese Host Clubs — a legal form of I guess “social prostitution” where women go and pay huge sums of money for male company, entertainment and flattery rather than their bodies. It is a fascinating phenomenon and Maria is using a variety of exciting media in the animation. I am also writing a short art film about a married woman who wakes up one day and discovers that she has grown wings! It is a conceptual piece with feminist undertones. I hope to begin production in 2011.
AE: What's your dream project?
AJ: It would be an absolute dream to shoot a documentary series about the treatment of women all over the globe, from places where we might assume that women are more suppressed like in the middle east to right here in England where I would want to show sexism and oppression on a more subtle level — where people don’t think it is an issue and instances where women keep women down.
AE: What's next for SEVEN PM?
AJ: Film festivals! I am going to submit SEVEN PM to as many festivals as I can and get it the exposure I believe it deserves! After which it would be amazing to have it picked up by a shortfilm distribution company. And of course we'll make it available online for all the fans!
There´s also a website with the synopsis of this movie and some more stills. They also have bigger stills there.
There´s also a website with the synopsis of this movie and some more stills. They also have bigger stills there.
Synopsis:
Fox is a mess. On this particular day, Fox gets up at 17.37 in a foreign flat in East London. After-party debris is strewn before her; strange bodies passed out in heaps around the room, smatterings of drugs, empty beer bottles. Feeling subhuman, she runs her fingers through her matted über hair-sprayed mane. She rinses her mouth with the remains of last night’s vodka, crawls across the floor and rolls herself a breakfast cigarette. She spots the time. Fuck, she’s late! She gathers herself together and dashes out of the door. She has somewhere to be.
Stumbling along Brick Lane still drunk Fox collapses against a wall and purges out her night before on the side of the street. Too weak to continue, she sits on the side of the road, crushed by the reality of her pathetic life. Running out of time, Fox hoists herself up and in to the bathroom of a local bar. Here, she fixes herself; washes away her tears, cleans up her smudged mascara and wipes her dress of vomit. She reapplies her make-up; she must try to look her best. Her thoughts are interrupted as two beautifully groomed girls walk in to the bathroom. They look pretty and clean in their elegant and feminine dresses, their smooth and sexy hair. They are happy friends out for cocktails, discussing what great boyfriends they have. Aren’t they lucky? They notice Fox and give her unintentional looks of disdain. She scowls at them in fury and they leave her for their respective cubicles, without forgetting to look her up and down once more. Fox storms out and hurries on with her day. She’s running out of time.
Left feeling adequately inadequate by the two girls, Fox enters a vintage clothing store to dress herself to look as pretty as them; to dress herself to look pretty enough. She exits with stolen dress in bag which she fearlessly pulls on over her outfit walking mid-street. She continues with her journey only to catch a second look at her reflection in a shop window and feel horrified by her appearance. This she fixes by rapidly hair-spraying and pinning it into an acceptable mess as people pass her by, bemused by the shameless display. Shoving her possessions back in to her bag, Fox spots the time. Three minutes left!
Running to Liverpool Street station, she arrives at her destination and attempts to calm herself down. She must look casual and collected. She leans herself against the wall and casually lights up a cigarette. She waits. She paces back and forth. She waits. She finishes her cigarette and throws it, along with herself frustratedly on to the ground. And then he arrives.
Hurriedly picking herself up, Fox beams the genuine smile of relief and happiness as he walks over. He is a dream. He strides over confidently, pleased to see her again as always. What a charming coincidence that he should meet her like this every day. He speaks his rehearsed lines to her, she nervously giggles throughout the exchange. He walks on and gets on with all the important things he has to do with his day. She is left with the clock reinforcing her seven pm daily deadline and a little skip in her step. Hope has been injected in to her day. She smiles wistfully and walks off, slipping back in to her life of decay.
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Lily Loveless SEVEN PM
SEVEN PM is a short film starring by Lily Loveless and writen, directed and produced by Anetta Jones. Lily plays the character Fox, who awakes each day to face the same scene of self destruction. SEVEN PM tells the poignant story of a pathetic girl, tappred in the debauchery of her own habits.
The short film has recently been selected to be screened at the East End Film Festival.
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Dr Cook - Interview to Lily Loveless
Dr Cook (Naomily Phenomenon) interviewd Lily Loveless recently and here is a sneak preview of the full interview that will be featured in the book.
DC: What was the biggest challenge you faced in getting started as an actor?
DC: What did you think happened between Naomi and Emily over the summer that fell between series 3 and series 4?
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Dr. Ann-Marie Cook: You’re on record as being quite a film buff. What do you love about movies?
Lily Loveless: Probably the escapism and that it’s a completely different sort of world where you’re not in your own world anymore. When I watch a film I’m just in there and nothing’s going on around me, it’s only the film. I think it’s just the escapism and you can create whatever world you want in a film. I can’t really explain it, it just makes me happy.
DC: Was there ever a time when you didn’t imagine having a career somehow related to film or television?
LL: No, it was always going to be that. I wanted to be a director. I still do but so many actors go into directing and it’s just like, oh because they’re an actor they think they can direct. I’d love to do it, whether I would or have the guts to, I don’t know.
DC: How did you get involved with the classes at Mountview Academy of Theatre Arts?
LL: I really wanted to get into [acting] and I thought that going to drama classes is the best way to get into it. I didn’t have a clue how to get into it, but I loved it, I loved my teacher and it was a laugh. Some days we’d really learn stuff but most of the time it wasn’t like a serious, ‘I’m an actor,’ sort of place.
DC: Did it help at all to shape your technique as an actor?
LL: It didn’t really; nothing did. I mean I’ve always done drama out of school but none of the classes I did were specifically training. They were just kids’ sort of drama classes. I don’t really have any technique, and if I do, they came from my drama A Level, which I didn’t really enjoy. It was just loads of written work about plays I didn’t care about. Maybe if we were studying plays I really loved, I would have done better and enjoyed it more. But I had to study plays I didn’t care about and then we had to write plays ourselves and perform them and I didn’t enjoy it at all.
DC: What did you see as the advantage of going straight into work as opposed to going to university or drama school?
LL: Well, I didn’t really think about that because I never wanted to go to uni and I’m still thinking about drama school. But I don’t know, and I think if you’re not sure you shouldn’t go because it’s such a huge commitment. I don’t think you can teach people how to act. I think you can learn a lot of techniques but I don’t really want to go and learn techniques for three years when I can pick them up on the job. I didn’t really make a conscious decision to go straight into working because it doesn’t work like that. If you get a job, you’re lucky, and I just took it and I just carried on from there.
DC: What was the short film you did before Skins?
LL: That was when I was at another little drama club just down the road from my house. The drama teacher basically said, "Do you want to have a little part in this short film?" and I was like "Yeah, alright!" And that was sort of the first time I’d been in front of a camera. But it wasn’t a major thing, it was just a sort of low budget, little arty film. I was only like 14 when I did it, so it was just a sort of fun thing that I did one weekend. I had like one line and I was just one of the girls who fancied this boy, so that was about it.
LL: Well, with the Skins role, I auditioned for an agency and they took me on and they put me up for the Skins audition. I went in there thinking "I’m not going to get this, but I’ll try." I got it and then it dawned on me that I actually had to do acting in front of other people and that people are going to watch it. I think the hardest thing was acting in front of people that you don’t know. It’s really awkward and embarrassing at first because it’s not a very natural thing to do. I felt like everyone else had done it before.
I mean, they hadn’t, but to me it felt like everyone had done it before and everyone else was friends and I didn’t know what I was doing. But I just had to grin and bear it, really. I didn’t really enjoy it that first month because it was so scary and I didn’t have time to think about how lucky I was because I was just terrified. They cut all my hair off and bleached it, and then they said "stand in front of that camera and do acting," and I was like, "Oh my God!" It was really lonely at first. That was hard because I didn’t know anyone, I was just on my own in Bristol doing this weird thing and it was just really odd and surreal.
DC: What attracted you to Naomi’s character?
LL: I really liked her. I felt like a lot of the other characters were characters I’d just seen before but Naomi was a real character; she had her traits and she had her flaws, she was a character. We only got the first script and it changed so much before we actually filmed it, we actually filmed a completely different story to the one I read in the audition.
DC: Based on what you knew of the character at that time, what did you want to bring out in the audition?
LL: I saw a very clear picture of what I thought she should be like. I thought she should be short, which I’m not, have a massive rucksack, which she didn’t, wear glasses and be just sort of [mimes an aggressive, sour look]. I tried to play it like that. I used to be really short and I suddenly had a growth spurt in about a year. And I’ve been told before that I have a short person syndrome where I sort of have that fieriness of a short person.
So I just tried to play that up and make her one of those people that—you don’t see people like her anymore, people who actually believe they need to have a good education and its really important. People at her age, you don’t really see that. And I thought, ‘that’s not me, they’re going to find someone who’s—there’s got to be someone who’s more like her than me.’ I didn’t think she was me at all, but they did, which was lucky.
DC: What did you see as the essence of Naomi’s personality?
LL: That she’s very tough — I say "tough" but it’s a bit of a crap word. She’s very hard, she’s one of those people that always has a frown on her face and would sort of scare a group of boys with just a look. I think she also kind of thinks she’s above everyone else without thinking it at the same time. She looks at Cook and she’s just like, ‘whatever.’ She thinks she’s on another level to the rest of the people around her because she’s intelligent or because she has a higher expectation of life than the rest of the characters.
DC: She’s got a massive case of intellectual snobbery, then?
LL: Yes, definitely, which is so not me but I quite like that about her. It’s very fun to play.
DC: Did you figure out everything about Naomi from the beginning or were you continually discovering things as you went along in the role?
LL: I think the most important thing is that she’s not a character in a box, like you can’t say she’s this type of person, she wouldn’t do this and she wouldn’t do that. To me, she’s a very real person who might be politically minded but she doesn’t think twice about shagging someone. She doesn’t give a shit about what people think. She’s not in a box and she’s not a political lesbian—she’s that type of person, but she’s lots of other things too.
I think it would surprise people because she wouldn’t necessarily say no to eating a hamburger whereas most people would think, "But you’re that type of person, you have to do that." I think that’s the most important thing about her. If we’re reading a script and someone says, "Oh, she wouldn’t do that," I’d say "Why not? Yes, she would do that, she’d definitely do that!" It’s very easy to look at a character in a box, you put people in boxes, that’s just what we do and I think it’s very important that she’s not in a box and that she’s a real person who would do things that wouldn’t necessary be what you’d think she’d do. I’ve always thought that from the beginning
DC: Does it take you a while to come down emotionally after doing things like the rooftop scene in Emily’s episode?
LL: Yeah! We did that scene for about six hours — the scene took a lot longer than anyone would imagine. You just get really depressed because crying has that effect on you anyway, so if you have a crying scene in the morning you’ll feel like shit for the rest of the day. It’s quite confusing because you feel shit, but you’re not really sure why because nothing bad happened. So after that scene, me and Kat just got in the car and it was home time and it was like, "Oh god, this is so depressing!" We were in such horrible moods and its so wearing. It really takes so much out of you doing a scene like that; like emotionally and physically you just feel exhausted and you have to go to sleep.
DC: So even though you as Lily aren’t crying, you have to get yourself to that level of concentration and emotion for Naomi.
LL: Yeah, you have to feel it. Like when I’m acting with Kat, she’s Emily and I’m Naomi, in the storyline her girlfriend’s finding out that she’s cheated on her. That’s the most horrible thing that can happen to a relationship, so I felt that pain that Naomi was feeling, that Emily was feeling, and I was so sorry that Naomi had done that to her because I’m standing there saying it. So I felt all this guilt and all this sadness even though it wasn’t real. But I think that’s how I manage to perform like that.
DC: Since you had to completely inhabit Naomi and feel everything she feels, did you develop a running backstory of what happened between her and Emily beyond the things that were actually shown in the episodes?
LL: Yeah.
DC: Did you ever think about what Naomi and Emily’s first kiss was like?
LL: I did, and I think it wasn’t something very romantic. It was literally just a bit of a [mimes hesitant peck with an expression of shock] — very confused fourteen year old’s first kiss at a party in the garden. Not very romantic, just a bit of a — something that suddenly makes you think, ‘My first kiss and it was with a girl. That’s not meant to happen, is it?.’ I mean, you’re fourteen, that’s what you’re going to think. But I don’t think it was a romantic thing to look back on and reminisce about afterward.
DC: Did you see Emily as Naomi’s first full, sexual experience?
LL: I think Naomi had fooled around because in the scene with Cook, where they’re about to do it, she wouldn’t have been able to do that if that was her first. She felt very comfortable in fooling around with Cook, and I think she’d done that before. I’m not sure if she was a virgin before or not; I’d like to think she was a virgin but had sort of done everything but [sex] with a few boys.
DC: I think Naomily fans like that idea too.
LL: Well, I think that’s true. She liked having fun but she also had morals, not to say, "I’m not going to have sex till I’ve got married," but sort of like "I don’t really want to do it that much, so I’m not, so get out."
LL: I think they went off and they had a really fun summer going to fun fairs, and just staying in bed a week at a time and just sort of being their age.
DC: What about the affair with Sophia?
LL: I think Naomi didn’t want to upset Emily because Emily’s very easy to upset, which I think Naomi also finds quite annoying because Naomi’s not like that at all. So she had to hide the fact that she was going to all these unis and that really pissed her off — the fact that she should just be allowed to tell her, and she should just be allowed to do what she wants. I don’t think she did it in spite, I don’t know.
Things just happen and you don’t think about them, and I don’t think she was thinking. It happened and she didn’t like feeling like she couldn’t do something, like she wasn’t allowed to do something. She wasn’t allowed to go look at unis because it would upset Emily, she wasn’t allowed to talk to another girl or sleep with another girl. Well, actually she can do what she wants because she’s her own person and she’s the only person she’s ever relied on. So then immediately afterwards, she would just feel full-blown, absolute guilt. I think guilt for something like that is probably a lot worse feeling than having someone doing it to you because you’ve broken your own heart and you’ve got the responsibility for it, which has got to be worse than someone hurting you because you’ve got nothing to feel bad about.
DC: Did you see it as a one-night stand where Sophia was more into it than Naomi was?
LL: Yes. Definitely, just a one-time thing.
DC: What do you think really happened between Naomi and Emily in the tent they shared with JJ in Effy’s episode from series 3?
LL: I don’t know, I don’t think it was very important. It was just the writers having a bit of a joke. To me, it was just something to make the audience laugh in such an intense episode.
DC: Did you ever subscribe to the idea that Emily was a stalker who wore Naomi down against her will?
LL: No, we joke about that but she’s not really because I don’t think she’d persist. Naomi is saying no, but she’s saying no [aside] yes; no, no, no [aside] yes, which makes Emily carry on, and Naomi knows that and she’s doing it in spite of herself.
DC: Do you think Naomi kept turning up to events with the gang because she knew Emily would be there?
LL: Yes, because she’s not really that interested in making friends, but she is interested in Emily. Like she is, but she’s not at the same time.
DC: For someone who’s not interested in friendship, Naomi behaves like a very good friend when she does things like covering for Panda by telling Panda’s mother that Thomas [Panda’s boyfriend] is actually her boyfriend.
LL: Naomi has this tough, scrappy exterior but she’s a lovely person — she is really lovely. I think she’s got a very good heart and that she’ll do anything for people she loves. So I think that’s just her; she’s a lovely person, she’s just misunderstood!
DC: Was there a point during the broadcast of series 3 when you realised how massive the storyline had become with fans?
LL: No, because I never really knew anything about it. I don’t go on the internet and look at things and it’s not big enough to be in the papers and have articles written about it. So for me, it was a totally other world because watching it as an insider as opposed to an outside audience member, you don’t really know what the reception is; you can’t tell. So I didn’t have a clue, I still don’t really.
DC: You really don’t know how big Naomily has become for fans all over the world?
LL: Not really, no! I don’t think it is big, I mean big for me would be in the papers every day, people writing about it. I mean, I know it’s got fans, but I can’t really tell what spectrum it’s on. Because I’m in it, it’s so hard to see it from an outsider’s point of view.
DC: So going into series 4, you didn’t feel pressure because of the fan response?
LL: I did because people had spoken to me and I’d met a lot of fans and everything that they’d said was sort of like "Oh, you helped me come out" or "you did this, or you did that." So in that sense it wasn’t quantity. The things people were saying were very important things. They weren’t just "Oh yeah, you kissed that girl, didn’t you?" So I did feel like I need to do them justice. You can’t always aim to please, you have to just get on with it. But yeah, I did feel a bit of pressure. I didn’t want to let anyone down and also because I knew what Naomi had done and I was like "Oh God, everyone is going to hate me!"
DC: You’ve talked in other interviews about fans who’ve told you that Naomily helped them come out, have there been other sorts of stories about the ways people have been personally affected by the storyline?
LL: I had a girl who I met [when] I went to Cardiff to do a PA with Luke [Pasqualino]. She said basically "My boyfriend used to hit me and I started watching Naomi and you made me believe that I’m a strong enough person to get up and leave him." That’s an amazing thing to hear from another human being, and it was really different because I’d never heard anything like that. I’d heard things about coming out, which — it makes me so happy to hear that. But then in hearing that from her, it was like, wow, that was a serious problem that I somehow helped without even knowing — there's not a much better feeling than that.
DC: I can imagine! Do you remember what you said?
LL: She needs to not see him anymore, I told her! I said give me his number and I’ll go beat him up for you and she said, "No, no!" So I said, "Alright, I won’t!"
DC: Any other feedback?
LL: People that have said I made them want to get into acting, people that give me compliments and say I think you’re good.
DC: Jack Thorne told me that he usually hates it when actors improvise lines but he loved the way you and Kat kind of did your own thing at the end of the "oilz" scene.
LL: Me and Kat would give each other absolutely hysterics. We’re like two little girls at school being naughty; we’re just in hysterics ninety percent of the time. I think she’s hilarious, she’s so funny, and we were just lying on the floor doing this scene and she kept saying it and I just kept laughing. By that point we were comfortable enough with what we were doing. Sometimes directors don’t say cut, they just let it carry on and you know that they’re doing that because you’ve seen it done before, so we just carried on. It wasn’t really improvisation, we just carried on lying there being stupid. At one point I caught Simon [Massey, the director] out of the corner of my eye sitting behind the screen pissing himself. Everyone in the room was trying not to laugh, everyone was just watching us being idiots.
DC: In an interview with the fansite, Rophydoes, Jack described you as the Robert DeNiro to his Paul Schrader. Do you feel a particular creative connection with him?
LL: [Laughs] I like that! I’d like to! I mean we email each other, not a lot, but we email. When we meet we don’t sort of talk, we say hello, but then we go and he emails me, which is nice. I feel very flattered because he is a really good writer, and yet he wants to have my input. He wants to hear whether I like something that he’s written or not and he wants to ask if I’d like to be involved in something else and have my feedback. And that’s sort of like, "but why do you want my feedback, I’m a no one and you’re an amazing writer?" So in that way, it’s really flattering that he feels that way about me.
DC: Has it been good to feel like you’re striking out in a new direction with The Fades, playing a character who’s quite different from Naomi?
LL: Yeah, it’s been really nice.
DC: Do you know whether the series has been picked up yet?
LL: No, but the actors are the last to know. I watched a screening of it and it was really good.
DC: I’m guessing you’re not allowed to talk about it yet.
LL: No, sorry.
DC: We’ll just have to keep our fingers crossed that it gets commissioned so that we can see it! Of course the question on everyone’s mind is whether you will be back for the Skins film.
LL: I don’t really know, I don’t think anyone knows what’s happening with [the film].
DC: What else is on the horizon for you?
LL: Who knows? I’m seeing what comes up!
Skins Fansite
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"Naomily Phenomenon" INTERVIEW
As we said before, Dr. Cook said that would answer to a lot of questions concerning the new book "Naomily Phenomenon". The interview is posted in LilyandKatFans website.
Dra. Cook: Could I just take this opportunity to thank all of your fans who took the time to submit questions. I am so pleased by your interest in the book. Although I cannot go into too many details that will be covered in the book, I have tried to answer as best as I could. Please feel free to follow me on Twitter and ask me more things if you wish!
- Do you know if the book is going to be translate in spanish? Bárbara, Chile (17)
Apologies to all the non-English speaking fans, but my publisher does not have the resources to release translations of any of their books at this stage. There might be a possibility of making arrangements with foreign publishers if there is sufficient demand for translations, but we would have to wait and see what happens.
- The book just talk about the Phenomenon or the book will have story about Naomily? Did you think to write a book just for Naomily story? Mariane, Brazil (16)
The book will not be a fictional story about Naomi and Emily. It is a study of how the story developed in the writers' room, how it was brought to life by the directors and the actors, how Skins and the storyline were promoted in the media, how critics reacted to it and, of course, how fans all around the world have responded. I'm interested in why the storyline is important to so many people and I'm also going to use it as an opportunity to consider how the internet has changed the way people interact with television shows that they might normally miss if they live outside the show's primary broadcast market, as well as how they interact with actors and other fans. Basically, I'm studying how Naomily became an international phenomenon and why it's important in terms of television history and cultural studies. Although the book is aimed at fans, it will also be of interest for people who are interested in film, media and cultural studies.
- It's quite clear to why there are many people in the world who are interested and are fans of the Naomily storyline, but what exactly made you so interested that you wanted to make this book? (In which I am extremely looking forward to!!) Meg, England (18)
I was intrigued by the way a low-budget, post-watershed, teen show made for a cable network became way more popular and generated much more intensive feelings among fans than anyone expected. Theoretically, Skins should not have made much of an impression outside of its target UK market, but it did and that was something that seemed to me to be worth studying. I take a personal pleasure in the Naomily storyline and I wouldn't be doing a project like this unless I loved the subject matter. Researching and writing a book takes a lot of work and it's never good to go into it unless you have a deep feeling for the material because that's what gets you through all the challenges that arise along the way.
- This book will translate to turkish? thank you Meryem, North Cyprus (17)
Unfortunately, there are no plans for translations at this time.
- Is the book will have several volumes or just is going to be a one volume? What did you like about this couple which made you to take the decision to write a book? Angelica, Colombia (14)
The book will be a single volume but I will be publishing articles and doing conference papers based on the research I have done, so there will be a variety of publications coming out about the Naomily phenomenon. I was drawn to Naomi and Emily initially because I could see aspects of myself in their characters (as I'm sure many fans can). I was also quite attracted to the storyline because it is quite a simple love story that draws upon a range of emotions and experiences that make it feel like something you can really believe in and support. I love the purity of their love for each other and the way that Skins treated it as an ordinary relationship rather than some exotic, unnatural coupling. The more I've talked to the production team, the more I've come to appreciate everything about Skins as a show--especially the way it tries to encourage emerging talent and celebrate the experiences and viewpoints of teens. So many shows treat teens in a patronising way and the vast majority of the shows I've seen don't do justice to the teen characters because they make them so one-dimensional and predictable. Personally, I think that teenage years and the most terrifying and thrilling times in life; I'm also coming from a background in teaching teenagers so I come at the project with a real appreciation of the things teens are capable of accomplishing!
- Is your book going to be writen as a psychological analisis of the influence entretainment (Naomily in this specific case) has on audiences, a study on the Naomlily phenomenom from a sociological/cultural point of view or a compilation of facts about Naomily, that people does not know about? Viridiana, Mexico (23)
Yes, I'm very interested in the relationship between film and television and society, so the book definitely won't be just a compilation of facts that people don't know already. Even when I talk about the unseen bits I will be discussing them in the context of how the Naomily phenomenon has expanded beyond the seen bits to include sequences that were never part of the broadcasts. As some of the unseen footage was revealed through previews and the mashup competition promoted via the website, this is another aspect of the internet's influence on the fan's relationship to the show. In addition, I will be delving into things like fan psychology and the psychology of stardom, plus I will be looking at the relationship between online fan communities and real life, as well as the issue of how the Naomily phenomenon engages with attitudes about sexual orientation.
- I wonder how did the idea of doing the book? If you followed closely the story of Naomily during the series? And what did you think of the interpretations of Lily and Kat? Raisa, Brazil (18)
I heard of Skins when it first came out but I never watched it while it was being aired on E4 in the UK. I had never even heard of Naomily until I was doing some research for a different project and came across the After Ellen website, where Naomi Campbell and Emily Fitch were ranked among readers' favourite lesbian characters. I was interested in the show's representation of the schoolgirl romance because there aren't that many films or television shows that treat teen lesbian storylines seriously (in a non-exploitive way). I watched series 3 and 4 back to back thanks to the wonders of on-demand viewing and I was absolutely bowled over by what I saw. As a film and television scholar, I watch a lot of shows and it's rare to discover performances and storylines that move me as much as Lily and Kat's interpretation of Naomi and Emily did. It's the sort of performance that you feel in the pit of the stomach because it's so raw and authentic. My admiration for their work was definitely a major source of motivation to write the Naomily book. This was also one of the reasons why I wanted the book to serve as an outlet for them to talk about their characters in ways they couldn't when the show was still being aired on television.
- Just wondering is there actually a Naomily novel coming out. Who is it written or being written by and what can I except from it? How soon will it be available in Australian bookstores? Grace, Australia.
I have not heard anything about plans to release a Naomily novel, so I'm afraid you'll just have to look forward to my non-fiction book. :-)
- What do you think about the Naomily fans? Eileen, England (20)
I have to credit fans on the Naomily threads of Fan Forum with helping to inspire me to write this book. After watching the show, I wanted to see how other people felt about it, and after seeing the massive response to it on messageboards I realised that this was something special that needed to be studied. I am so grateful for the support and involvement of all the fans who've written to me. Given the huge role fans played in making Naomily the golden couple of Skins Generation 2, the book will explore how online communities, fanfics, fanvids and fan sites contributed to the phenomenon and keep it going even after the show has ended.
- Do you think Naomily storyline helped, in some way, teenage girls? Laia, Spain (21)
Definitely. Although I would never suggest that they are perfect, they embody 'girl power' with their intelligence, strength and unwillingness to be dominated by boys around them and their coming out story normalised a relationship that a lot of people still find immoral, unacceptable and unnatural. To girls watching the show (or, indeed anyone), it offers a sign that it's okay to be assertive and independent and and love whomever you like.
- Would you give me a book? Just kidding... I heard many people say "this book is a waste of time and they are doing this only for earn money" What would you say to this people? Den, Mexico (22)
When I decided to write this book money was the last thing on my mind. I'm an academic by trade, which is hardly the job one goes into if they are driven by the desire to make money. I loved the storyline and I saw it as something quite significant in terms of television history and cultural studies. Since my background is in film and cultural studies, anytime something attracts the level of attention that Naomily has generated, I want to know why. The story means a lot to fans and I wanted to write something that would not only celebrate that, but show why the storyline is important beyond its entertainment value. Although Company Pictures and Channel 4 have supported the project and given me access to everything I have asked to see, they are not involved in the publication nor do they receive a portion of the sales. My publisher is a new academic press that I chose specifically because they were willing to give me the flexibility to write something that would be interesting to fans as well as academics. The publisher liked this topic because they are interested in media, cyberculture and some of the other themes involved in the Naomily phenomenon. As a publisher, they need to turn some level of profit to keep themselves afloat, but if you want to learn more about their commitment to fostering dialogue and the exchange of ideas, feel free to visit them at http://www.inter-disciplinary.net/publishing/. They currently sponsor conferences, journals and publishing in a variety of topics and I am extremely proud that the Naomily book will be part of their range of publications. If anyone out there is interested in getting involved with the Inter-Disciplinary.net projects, feel free to contact them for more information.
- If you could do a little resume about the book... What was the opinion from all people you interviewed? Marta, Spain (22)
If this question is asking for a summary of the book, I think I answered it with my response to another question. I haven't worked out specifically how I'm going to organise the book, but that information will be made available closer to publication. Everyone connected with the show from the writers and directors at Company to the PR people and marketing executives at Channel 4 have been so helpful and I am extremely grateful to them. While I can't really do justice to everyone's opinion, everyone was extremely proud of the storyline and the way it was received by fans. They never expected that it would take off, but once they became aware of the following they knew they had something special. They have been very complementary of Lily's and Kat's performances and they are pleased to see a book being written about the Naomily phenomenon. For more specific information about what we talked about in interviews, you'll have to read the book.
- What do you think is due this phenomenon? Alison, Venezuela (19)
This is one of the themes of the book, so I can't go into too much detail at this point. To some degree there will always be something about any 'phenomenon' that defies total explanation. Perhaps that indefinable element is what makes something a phenomenon. However, I think a large part of the Naomily phenomenon hinges on the fact that there is something about Naomi, Emily and their love story that nearly everyone can relate to, regardless of who they are, where they live and how they identify sexually. It offers a basis for viewers to connect across age groups, cultures, national borders, sexual orientations, etc. and interact in online communities. It spurs viewers' imaginations and inspires them to be creative with their fanfics, fanvids and drawings. I think that anytime so many people love something the way that fans have come to love Naomily it's worth exploring.
- You mentioned something about some delete scenes, if you would get the permission, how would you put them in the book? Eve, France (21)
Ideally, I would like to get permission from Company Pictures to post entire sequences online so that fans can see them. But even if I can't get clearance for that, I will reproduce excerpts from the shooting scripts that describe scenes and dialogue and I will probably be able to reproduce still images from those missing sequences.
- I heard you will interview Lily Loveless and Kathryn Prescott, you are going to interview them together? Or separately? Rachel, Canada (17)
I wanted to interview them separately because I thought it was a more effective use of time and because I wanted to give them each a chance to express their own viewpoints. I love the television interviews where they appear together, but in this case it was important that they each had their own space to think and respond to the questions.
...
Dra. Cook: Could I just take this opportunity to thank all of your fans who took the time to submit questions. I am so pleased by your interest in the book. Although I cannot go into too many details that will be covered in the book, I have tried to answer as best as I could. Please feel free to follow me on Twitter and ask me more things if you wish!
- Do you know if the book is going to be translate in spanish? Bárbara, Chile (17)
Apologies to all the non-English speaking fans, but my publisher does not have the resources to release translations of any of their books at this stage. There might be a possibility of making arrangements with foreign publishers if there is sufficient demand for translations, but we would have to wait and see what happens.
- The book just talk about the Phenomenon or the book will have story about Naomily? Did you think to write a book just for Naomily story? Mariane, Brazil (16)
The book will not be a fictional story about Naomi and Emily. It is a study of how the story developed in the writers' room, how it was brought to life by the directors and the actors, how Skins and the storyline were promoted in the media, how critics reacted to it and, of course, how fans all around the world have responded. I'm interested in why the storyline is important to so many people and I'm also going to use it as an opportunity to consider how the internet has changed the way people interact with television shows that they might normally miss if they live outside the show's primary broadcast market, as well as how they interact with actors and other fans. Basically, I'm studying how Naomily became an international phenomenon and why it's important in terms of television history and cultural studies. Although the book is aimed at fans, it will also be of interest for people who are interested in film, media and cultural studies.
- It's quite clear to why there are many people in the world who are interested and are fans of the Naomily storyline, but what exactly made you so interested that you wanted to make this book? (In which I am extremely looking forward to!!) Meg, England (18)
I was intrigued by the way a low-budget, post-watershed, teen show made for a cable network became way more popular and generated much more intensive feelings among fans than anyone expected. Theoretically, Skins should not have made much of an impression outside of its target UK market, but it did and that was something that seemed to me to be worth studying. I take a personal pleasure in the Naomily storyline and I wouldn't be doing a project like this unless I loved the subject matter. Researching and writing a book takes a lot of work and it's never good to go into it unless you have a deep feeling for the material because that's what gets you through all the challenges that arise along the way.
- This book will translate to turkish? thank you Meryem, North Cyprus (17)
Unfortunately, there are no plans for translations at this time.
- Is the book will have several volumes or just is going to be a one volume? What did you like about this couple which made you to take the decision to write a book? Angelica, Colombia (14)
The book will be a single volume but I will be publishing articles and doing conference papers based on the research I have done, so there will be a variety of publications coming out about the Naomily phenomenon. I was drawn to Naomi and Emily initially because I could see aspects of myself in their characters (as I'm sure many fans can). I was also quite attracted to the storyline because it is quite a simple love story that draws upon a range of emotions and experiences that make it feel like something you can really believe in and support. I love the purity of their love for each other and the way that Skins treated it as an ordinary relationship rather than some exotic, unnatural coupling. The more I've talked to the production team, the more I've come to appreciate everything about Skins as a show--especially the way it tries to encourage emerging talent and celebrate the experiences and viewpoints of teens. So many shows treat teens in a patronising way and the vast majority of the shows I've seen don't do justice to the teen characters because they make them so one-dimensional and predictable. Personally, I think that teenage years and the most terrifying and thrilling times in life; I'm also coming from a background in teaching teenagers so I come at the project with a real appreciation of the things teens are capable of accomplishing!
- Is your book going to be writen as a psychological analisis of the influence entretainment (Naomily in this specific case) has on audiences, a study on the Naomlily phenomenom from a sociological/cultural point of view or a compilation of facts about Naomily, that people does not know about? Viridiana, Mexico (23)
Yes, I'm very interested in the relationship between film and television and society, so the book definitely won't be just a compilation of facts that people don't know already. Even when I talk about the unseen bits I will be discussing them in the context of how the Naomily phenomenon has expanded beyond the seen bits to include sequences that were never part of the broadcasts. As some of the unseen footage was revealed through previews and the mashup competition promoted via the website, this is another aspect of the internet's influence on the fan's relationship to the show. In addition, I will be delving into things like fan psychology and the psychology of stardom, plus I will be looking at the relationship between online fan communities and real life, as well as the issue of how the Naomily phenomenon engages with attitudes about sexual orientation.
- I wonder how did the idea of doing the book? If you followed closely the story of Naomily during the series? And what did you think of the interpretations of Lily and Kat? Raisa, Brazil (18)
I heard of Skins when it first came out but I never watched it while it was being aired on E4 in the UK. I had never even heard of Naomily until I was doing some research for a different project and came across the After Ellen website, where Naomi Campbell and Emily Fitch were ranked among readers' favourite lesbian characters. I was interested in the show's representation of the schoolgirl romance because there aren't that many films or television shows that treat teen lesbian storylines seriously (in a non-exploitive way). I watched series 3 and 4 back to back thanks to the wonders of on-demand viewing and I was absolutely bowled over by what I saw. As a film and television scholar, I watch a lot of shows and it's rare to discover performances and storylines that move me as much as Lily and Kat's interpretation of Naomi and Emily did. It's the sort of performance that you feel in the pit of the stomach because it's so raw and authentic. My admiration for their work was definitely a major source of motivation to write the Naomily book. This was also one of the reasons why I wanted the book to serve as an outlet for them to talk about their characters in ways they couldn't when the show was still being aired on television.
- Just wondering is there actually a Naomily novel coming out. Who is it written or being written by and what can I except from it? How soon will it be available in Australian bookstores? Grace, Australia.
I have not heard anything about plans to release a Naomily novel, so I'm afraid you'll just have to look forward to my non-fiction book. :-)
- What do you think about the Naomily fans? Eileen, England (20)
I have to credit fans on the Naomily threads of Fan Forum with helping to inspire me to write this book. After watching the show, I wanted to see how other people felt about it, and after seeing the massive response to it on messageboards I realised that this was something special that needed to be studied. I am so grateful for the support and involvement of all the fans who've written to me. Given the huge role fans played in making Naomily the golden couple of Skins Generation 2, the book will explore how online communities, fanfics, fanvids and fan sites contributed to the phenomenon and keep it going even after the show has ended.
- Do you think Naomily storyline helped, in some way, teenage girls? Laia, Spain (21)
Definitely. Although I would never suggest that they are perfect, they embody 'girl power' with their intelligence, strength and unwillingness to be dominated by boys around them and their coming out story normalised a relationship that a lot of people still find immoral, unacceptable and unnatural. To girls watching the show (or, indeed anyone), it offers a sign that it's okay to be assertive and independent and and love whomever you like.
- Would you give me a book? Just kidding... I heard many people say "this book is a waste of time and they are doing this only for earn money" What would you say to this people? Den, Mexico (22)
When I decided to write this book money was the last thing on my mind. I'm an academic by trade, which is hardly the job one goes into if they are driven by the desire to make money. I loved the storyline and I saw it as something quite significant in terms of television history and cultural studies. Since my background is in film and cultural studies, anytime something attracts the level of attention that Naomily has generated, I want to know why. The story means a lot to fans and I wanted to write something that would not only celebrate that, but show why the storyline is important beyond its entertainment value. Although Company Pictures and Channel 4 have supported the project and given me access to everything I have asked to see, they are not involved in the publication nor do they receive a portion of the sales. My publisher is a new academic press that I chose specifically because they were willing to give me the flexibility to write something that would be interesting to fans as well as academics. The publisher liked this topic because they are interested in media, cyberculture and some of the other themes involved in the Naomily phenomenon. As a publisher, they need to turn some level of profit to keep themselves afloat, but if you want to learn more about their commitment to fostering dialogue and the exchange of ideas, feel free to visit them at http://www.inter-disciplinary.net/publishing/. They currently sponsor conferences, journals and publishing in a variety of topics and I am extremely proud that the Naomily book will be part of their range of publications. If anyone out there is interested in getting involved with the Inter-Disciplinary.net projects, feel free to contact them for more information.
- If you could do a little resume about the book... What was the opinion from all people you interviewed? Marta, Spain (22)
If this question is asking for a summary of the book, I think I answered it with my response to another question. I haven't worked out specifically how I'm going to organise the book, but that information will be made available closer to publication. Everyone connected with the show from the writers and directors at Company to the PR people and marketing executives at Channel 4 have been so helpful and I am extremely grateful to them. While I can't really do justice to everyone's opinion, everyone was extremely proud of the storyline and the way it was received by fans. They never expected that it would take off, but once they became aware of the following they knew they had something special. They have been very complementary of Lily's and Kat's performances and they are pleased to see a book being written about the Naomily phenomenon. For more specific information about what we talked about in interviews, you'll have to read the book.
- What do you think is due this phenomenon? Alison, Venezuela (19)
This is one of the themes of the book, so I can't go into too much detail at this point. To some degree there will always be something about any 'phenomenon' that defies total explanation. Perhaps that indefinable element is what makes something a phenomenon. However, I think a large part of the Naomily phenomenon hinges on the fact that there is something about Naomi, Emily and their love story that nearly everyone can relate to, regardless of who they are, where they live and how they identify sexually. It offers a basis for viewers to connect across age groups, cultures, national borders, sexual orientations, etc. and interact in online communities. It spurs viewers' imaginations and inspires them to be creative with their fanfics, fanvids and drawings. I think that anytime so many people love something the way that fans have come to love Naomily it's worth exploring.
- You mentioned something about some delete scenes, if you would get the permission, how would you put them in the book? Eve, France (21)
Ideally, I would like to get permission from Company Pictures to post entire sequences online so that fans can see them. But even if I can't get clearance for that, I will reproduce excerpts from the shooting scripts that describe scenes and dialogue and I will probably be able to reproduce still images from those missing sequences.
- I heard you will interview Lily Loveless and Kathryn Prescott, you are going to interview them together? Or separately? Rachel, Canada (17)
I wanted to interview them separately because I thought it was a more effective use of time and because I wanted to give them each a chance to express their own viewpoints. I love the television interviews where they appear together, but in this case it was important that they each had their own space to think and respond to the questions.
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Lily Loveless supports Battlefront
Missing Naomi? We have a video with Lily and the guys of Battlefront.
Battlefront is an online/on-telly Channel 4 project starring a crew of 14-21-year-olds on a mission to change the world.Watch the video bellow.
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"Naomily Phenomenon" book
I just found out this text in the LilyandKatfans website.
"How started everything?" "Who had the idea to create Emily Fitch and Naomi Campbell?" "Did they think that Naomily was going to have many fans around the world?"… Surely, these questions went through your mind at some point. But, now, a person wants to find the answers to those questions.
Dr Ann-Marie Cook, has been one of those people who were surprised with this Naomily Phenomenon, and she has decided to look for the answers and write a book about it.
With the name "Naomily Phenomenon", Dr Ann-Marie Cook is working on this book, she wants to tell the story from the begining, so she is going to interview everyone connected with writing, directing, performing, producing and marketing the storyline, including Lily Loveless and Kathryn Prescott.
The intention of Dr Cook is to understand how Naomily have become something huge, something that in some way helped people in their lives and how popular Naomily have become around the world. She had the oportunity to see some unseen Naomily things, like outtakes, unseen scenes, like the famous hug scene or the extended version of the mexican party (she wants to put something about that in the book, but is difficult to have the permission from E4).
The book is going to be released in about 12 or 18 months, we are pretty sure that the wait it will worth it :)
At the moment you can ask some questions to Dr. Ann-Marie Cook. To know how visit the website above.
We want to know... Do you like the idea???
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